| Casshern
(2004) [all images come from the movie's
trailer]
Official
Web Site
By Jmaruyama
Running Time: |
141 Minutes |
Producers: |
Miyajima Hideji, Ozawa
Toshiharu, Wakabayashi Toshiaki |
Based on a story by: |
Tatsunoko Pro “Shinzou
Ningen Casshern” (1973) |
Planning: |
Kiriya Kazuaki, Wakabayashi
Toshiaki |
Screenwriters: |
Kiriya Kazuaki, Suga Shotaro,
Sato Dai |
Cinematography: |
Kiriya Kazuaki |
Photography: |
Morishita Shozou |
Production Design: |
Hayashida Yuji |
Costume Design: |
Kitamura Michiko |
Conceptual Designs: |
“D.K.” |
Editing: |
Kiriya Kazuaki |
Sound: |
Yano Masato |
Action Director: |
Shokin Jyuta |
CG Director: |
Nozaki Kouji |
VFX Supervisor: |
Kitamura Toshiyuki |
Line Producer: |
Mukuju Hirohisa |
Lighting: |
Watabe Yoshimi |
C.G. Supervisor: |
Sono Haruhiko |
Set Director: |
Akazuka Yoshihito |
Action Sequence Sprvr: |
Hikuguchi Shinji |
Makeup Effects: |
Inagaki Ryoji |
Assistant Director: |
Noma Shorei |
Director: |
Kiriya Kazuaki |
Produced by: |
Shochiku |
Theme Song
Dareka No Negai Ga
Kanau Koro (Time To Make One’s
Dreams Come True)
Lyrics: Utada Hikaru
Performed by: Utada Hikaru
Cast
- Iseya Yusuke (Azuma Tetsuya/Casshern)
- Asou Kumiko (Kozuki Luna)
- Terao Akira (Professor Kotaro Azuma)
- Higuchi Kanako (Midori Azuma)
- Kohinata Fumiyo (Professor Kozuki)
- Nishijima Hidetoshi (Lt. Colonel Kamijo)
- Oikawa Mitsuhiro (Naito Kaoru)
- Otaki Hideji (General Kamijou)
- Karasawa Toshiaki (Burai)
- Kaname Jun (Barashin)
- Sada Mayumi (Sagure)
- Mayasako Hiroyuki (Akubon)
- Terajima Susumu (Sakamoto)
- Mihashi Tatsuya (Old Doctor)
Story/Plot
On an alternate world with a decidedly different
history, World War II does not end for at least another fifty
years. The Earth is now divided and controlled by two opposing
alliances: The Greater Eastern Federation, which controls
most of the Pacific and much of Asia and the Federation of
Europa (Europe) which controls the European Continent and
much of the Atlantic.
As the story begins the Greater Eastern Federation
has finally triumphed over the forces of Europa and gains
dominion over the Eurasian continent.
However, it is an empty victory as much of
the Earth has been decimated by years of chemical, biological
and nuclear war. Much of the world’s surface has been
turned into a barren wasteland and an exhausted population
is at the mercy of newly-mutated diseases.
It seems that there's little hope for humanity's
future. Debate rages in Japan over the chances of finding
some way to prevent the extermination of humankind.
One man comes forward with a possible solution.
Famed geneticist Prof. Kotaro Azuma proposes the creation
and distribution of "Neo-Cells" (Shinzou Saibou),
which can rejuvenate the body and regenerate human DNA cells.
He's driven in his studies by a desire to
save his beloved wife, Midori, from the ravages of a pollution-related
disease.
Prof. Azuma appeals to the government for
funding of this project but the politicians in the Health
Ministry led by Lt. Colonel Kamijo (son of the reigning Japanese
Military Dictator, General Kamijo) turn him down, fearing
that the new technology will threaten their entrenched powers.
However, a sinister faction in the powerful
military led by shady politician Naito Kaoru makes a secret
offer to provide the support Prof. Azuma needs to further
his research.
Prof. Azuma cautiously proceeds with his experiments
backed by Naito’s funding. During this time, Prof. Azuma’s
only son Tetsuya is killed while serving out his remaining
days of military service on the warfront. His body is flown
back to the Azuma home. The shock is too much for his mother
Midori and she further drifts into sickness. Tetsuya’s
fiancé, Luna is also devastated by the news.
Prof. Azuma vows to continue with his research
to not only save his wife but reanimate his dead son.
However, one night a freak accident occurs
in the Professor Azuma’s lab which causes the "Neo-Cell"
cloning experiment to go haywire. As a result the lifeless
bodies of his test cadavers are re-animated into a race of
mutant human beings (Shinzo Ningen). One of those affected
is Tetsuya who is “reborn”.
Lt. Colonel Kamijo’s forces break into
Professor Azuma’s lab and begin to kill all of the newly
revived Shinzo Ningen. Many are slaughtered but a few escape
into the snow and wilderness including Tetsuya.
Four of the Shinzo Ningen flee to the European
Continent where they reach a long deserted European castle.
There they began to plan and plot their revenge against the
humans who slaughtered their brethren.
Months later, after assembling a massive mechanized
army of deadly robots and killing machines, the Shinzo Ningen’s
leader calling himself “Burai” launches an attack
on Japan and the Eastern Federation.
The Federation forces are no match against
the forces of the Shinzo Ningen and all seems lost, until
from the shadows of the destruction comes a shining white
figure with superhuman strength and miraculous speed. It is
Azuma Tetsuya. Calling himself Casshern, he launches a one-man
war to stop the Shinzo Ningen and bring peace back to the
world.
Review
Kiriya Kazuaki’s
stunningly beautiful debut film “Casshern” may
disorient fans of the original Tatsunoko Pro series from which
it was adapted.
While most of the changes are minor and don’t
really differ that greatly from the original source, the dark
and almost tragic aspects of the film make this less a Superhero
story and more a tragic tale of broken dreams and loves.
“Casshern” is decidedly an anti-War
film and hammers that point across with its frequent images
of destruction, death, torture and human suffering. Yet, intertwined
with these images is Kiriya’s dreamy and almost surreal
visions of a “steampunk” world of the future.
“Casshern” reminds me a lot of Luc Besson’s
“Fifth Element” (1997) and I’m almost certain
that this was intentional on the part of Kiriya.
Like Besson, Kiriya has a very unique flare
for design, and imagery and infuses “Casshern”
with not only impressive CGI and VFX work but also glorious
backgrounds and matte paintings that rival Hollywood productions.
That being said however, the story does tend
to be a bit overly patronizing in its tone and the bleak ending
may be a bit of overkill but the characters are likeable enough
and even the Shinzou Ningen are portrayed in a more sympathetic
light. In Kiriya’s world of “Casshern” the
true villains are the non the non-humans but rather the humans
in the Military and the Totalitarian Government of the future.
“Casshern” will probably not appeal
to those who are expecting a more literal translation of the
series but I for one consider this “Casshern”
a fairly decent take on the series albeit a bleak and tragic
one.
Trivia
Having studied and worked in New York,
Kiriya Kazuaki began his career in Japan as a fashion and
print Ad photographer . His photographs graced the album covers
of such J-Pop singers such as Misia and Utada Hikaru. Kiriya
and Utada collaborated further on her music videos producing
such inventive and innovative videos for song such as “Sakura
Drops”, “Traveling”, “Final Distance”,
and “Hikaru”. Kiriya and Utada would later marry
in 2003.
Screenwriter Suga Shotaro has contributed
writing credits to the seminal series “Kokaku Kidotai:
StandAlone Complex” (Production I.G./Bandai; 2002).
Sato Dai’s writing credits include episodes
of the groundbreaking “Cowboy Bebop” (Sunrise;
1998).
Iseya Yusuke’s film debut was in Koreeda
Hirokazu’s “Wonderful Life” (AKA Afterlife;
Engine Films; 1999). He has subsequently starred in other
smaller independent films just as “Kinpatsu No Sogen”
(Blonde Fields; Sanado, 1999), “Distance” (Engine
Films; 2001), “Gaichu” (Deadly Insects; Nikkatsu,
2001) and “Dead End Run” (Real Product; 2003).
Iseya studied theatre in New York for a year and has also
Beautiful Asou Kumiko has starred in a number
of big projects including “Kairo” (CineCannon;
2001), “Red Shadow: Akakage” (Toei, 2001), “Inochi”
(Life; Toei, 2002), and “Makai Tensho” (Samurai
Reincarnation; Toei, 2003). Asou can also be currently seen
in Miike Takashi’s warped Superhero tribute “Zebraman”
(Toei, 2004).
Terao Akira can best be remembered as gruff
detective Matsuda Takeshi in the Japanese cult TV police drama
“Seibu Keisatsu” (Western Policee; Ishinomori
Pro, 1979). Multi-talented Terao would also gain fame as a
singer with the hit J-Pop song “Ruby No Yubiwa”
(Red Ruby Ring) released in 1981. He would later go on to
collaborate with Akira Kurosawa on three films: “Ran”
(Toho, 1985), “Dreams” (Toho, 1990) and “Madadayo”
(Toho, 1993). While continuing work as a singer, Terao’s
would go on to star in such films as “Shitsurakuen”
(Lost Paradise; Toei, 1997), “Mothra” (Toho, 1996),
“Cat’s Eye” (1997) and “Amida-Do Diary”
(Letters From the Mountain; Toho, 2003).
Gorgeous Sada Mayumi began her career as a
magazine model for the publication “vivi”. Having
a talent for singing and music she soon joined the Avex Music
Label where she produced several singles including “Ever
After”, “Pray”, “Freedom” and
“Kiseki”. She would later star as the heroine
in the low budget movie “Tenshi No Kiba: B.T.A.”
(Fangs of An Angel: B.T.A.; 2003).
Tokusatsu fans should immediately recognize
Kaname Jun as Major Inspector Makoto Hikawa/Masked Rider G-3
in the series “Kamen Rider Agito” (Toei, 2001).
Popular actor Oikawa Mitsuhiro has starred
in a number of J-Drama’s including “With Love”
(Fuji TV, 1998), “Koori No Sekai” (Ice World;
Fuji TV, 1999), “Oyaji” (Dad; TBS, 2000) “Koi
Ga Shitai, Koi Ga Shitai, Koi Ga Shitai” (I Want To
Fall In Love; TBS, 2001) and “Manhattan Love Story”
(TBS, 2003). Oikawa also starred in Miike Takashi’s
cult film “Hyoryuu Gai” (AKA City of Lost Souls,
2000). Oikawa can also currently be seen as the Androgynous
villain “Black Claw” in the Go Nagai Live Action
adaptation of “Cutie Honey” with Sato Eriko (Toei,
2003).
Intimidating actor Terajima Susumu has often
played various assorted criminals, maniacs and Yakuza in a
number of films including “Sono Otoko, Kyobo Ni Tsuki
(AKA Violent Cop, 1989), “Sonotine” (1993), “Hana-Bi”
(1997), “Gohatto” (AKA Taboo, 1999), “Brother”
(2000), “Koroshi No Ichi” (Ichi The Killer, 2001),
and “Moon Child” (2003).
Veteran actor Otaki Hideji will always be
known for his character role as Inspector Funamura Ippei in
the long running TV Detective Drama “Tokusou Saizensen”
(Frontline Investigation; 1977). Otaki’s long list of
credits include “Noroi No Yakata: Chi O Su Me”
(AKA Bloodthirsty Eyes; Toho, 1971), “Kozure Okami:
Meifumando” (Baby Cart in the Land of Demons; Toho,
1973), “Yami no karyudo” (Hunter In The Dark;
Shochiku, 1979), “Tanpopo” (1985), and “Marusa
No Onna (A Taxing Woman, 1987).
Karasawa Toshiaki is another familiar face
in J-Drama and has appeared in a number of series including:
“Ai To Iu Nano Moto Ni” (In The Name of Love;
Fuji TV, 1992), “Homework” (TBS, 1992), “Brothers”
(Fuji TV, 1998), “Love Complex” (Fuji TV, 2000),
and “Shiroi Kyoto” (The Great White Tower;Fuji
TV, 2003).
Jmaruyama |