| The
Big O
By Jeffrey Couto
The
Story
Paradigm City has lost its
collective memory, the result of an event 40 years in its
past. No one in the city can recollect what happened before
this event took place, all memories prior to it can no longer
be recalled.
As a result of this loss of memories the
citizens of Paradigm City are forced to re-learn how to
use, invent and maintain their modern machines. Only a few
select people in the city are able to master these machines
and even fewer of them can remember enough to create and
operate their own.
Amongst the citizens of Paradigm City is
a person who goes by the name of Roger Smith, better known
as the negotiator. Roger is a professional negotiator, helping
parties reach agreements in difficult situations and assisting
in other areas were he might be needed. He is aided by Dorothy
Wayneright, an android he rescued, who lives with him and
assists the negotiator as a way to repay him for saving
her.
Roger Smith is also the pilot of a formidable
Megadeus robot, Big O, which he uses when the situation
calls for it. The origins of Big O lie in the past, before
the event that took everyone's memories away.
How Good it it?
I was really thrown off by
Big O the first time I saw it because it was a very unusual
mix of Japanese and American influences, story and design
wise. It not only had the stylings of recent WB animated
series like Batman and Superman (which as I found out later
was the result of Big O being animated by the same studio
that worked on the WB programs), but also a lot of Japanese
influenced designs that borrow from now classic animated
series like Giant Robo.
Big O's story is very captivating and really
draws in the viewer as we journey with Roger Smith in his
quest to learn more about Paradigm city's forgotten past
and and his own past life. Big O's story is driven by the
characters, not by action scenes, which is a good change
of pace for this type of fare.
The main characters of Roger and Dorothy
are also very engaging and play well off each other. Whereas
Roger is a bigger than life character who often plays it
cool, Dorothy is more low-key and cautious about the way
in which she operates. Often Dorothy will question Roger's
actions or call him out on mistakes, which typically results
in humorous exchanges, but in the end they both benefit
and learn from each other.
The title robot is very unique and one of
the reasons I loved this series. Like Giant Robo, Big O
is a massive machine that comes to the rescue (using a massive
underground track system) whenever the situation calls for
it. Big O is piloted by Roger, who somehow has the piloting
knowledge needed to operate this giant weapon from the now
forgotten past. Unlike many of its flashier animated counterparts
Big O is a more practical and realistically designed robot.
Its main weapons are missiles, piston powered punches, machine
guns, cannons and lasers.
The animation in Big O is excellent and
should be checked out by all animation fans as its style
is very unique. It relies on classic cel animation, and
very simple character and mechanical designs that allow
the flow of the drawings to be very smooth from frame-to-frame.
The soundtrack to the series was also very well done, relying
mostly on some good piano and orchestrated pieces.
Final Thoughts
I highly recommend Big O to
all animation fans, especially if you enjoyed other giant
robot programs like Giant Robo and Shin Getter Robo. After
watching the series I can hardly wait to see what happens
in the second season of Big O, which should be out Stateside
very soon thanks to the folks at Bandai!
Jeffrey Couto |